Thinking outside the museum

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From the Studio Blog

Franz Marc’s The Tower of Blue Horses

By Matt Carey-Williams

The evolution of Franz Marc’s pictorial language is one that charts a journey from expressionism via Der Blaue Reiter and then funneled through Cubism and its sunnier dialects of futurism and orphism. Marc’s passion for animals — depicted as dynamically torqued vortices painted in a rainbow of hallucinatory colours — served to signify the social and political angst that so bubbled away at this time and which would, eventually, burst in to the sulphuric horrors of the Great War.
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